Where's my next comedy hero?

SEEKING OUT THE NEW

You have to do the Fringe right.  Or at least do it in whatever way feels 'right' to you.  For some that means booking the big names, the ones they've seen on the telly, heard on the radio, or spotted on the biggest posters.  Sometimes I do the same, if only out of curiosity.  And it turns out that these 'stars' are just like anyone else, just as flawed.

So some turn out to be disappointing, a failure to meet the hype their image has created.  And a recognition that being funny in short bursts on a carefully-edited TV panel show isn't the same as delivering a one hour solo show.  Sometimes they are excellent, as mark Watson or Romesh Ranganathan have been, sometimes not quite what was hoped for, like Katherine Ryan a few days ago, and sometimes outright poor, as Ed Byrne was a few years ago (although, to be fair, we saw him again more recently and he was superb, but that just goes back to what I was saying about merely human).

Still, it's an understandable, even sensible, approach if you only have a couple of days in Edinburgh and want to be sure of having a good time.  But if even if you go see all these 'big' names, and enjoy them, have you really 'done' the Fringe?  There are more than three thousand shows on offer, plus offerings from all the various other festivals running simultaneously, and they range from the sublime to the downright horrendous.  What there most certainly is is something for everyone.  If you can find it.

And for someone who has the luxury of being a city resident , and having the time-richness that comes with no longer having to work for a living, sticking with the familiar is absolutely the 'wrong' way of going about things.  But I would also argue it's 'wrong' for even the short term visitor.

Blyth's number one rule of Fringe-going : If you haven't seen something you thought was a bit shit then you haven't been trying hard enough.  (Or you're just very, very lucky....)

Blyth's number two rule of Fringe-going : If more than half the shows you go to see feature acts you've seen before then you're not being brave enough.

Yes, go pick a few sure fire winners.  But take risks too, go for people you've never heard of and see if, under the covers, lurks a diamond or a lump of coal.  Often you'll find someone you'll love and want to see again.  And sometimes you'll just wish you could have that hour of your life back.  But you probably learned something from the experience.  (Last year we had a powerful reminder of one of the comedian's golden rules - if you start blaming the audience for not laughing then you are definitely the problem.)

We've only seen four Fringe shows so far (breaking ourselves in gently), and three of those have been people we've seen before.  That set alarm bells off in my head so I had a check through the shows we currently have booked, and was able to recover my smugness.  About two thirds are acts we haven't seen at all, or only seen doing short sets before.  (And by 'seen' I don't mean on telly, but doing ten or fifteen minutes slots in bigger shows.  And I'm not sure if Will Franken counts in that category, as he was a woman last time we saw him....)

We have the people we return to every year - such as Mark Thomas, Stewart Lee, Aidan Goatley - so there's a bedrock of quality we know we can rely on.  There are others we've meant to see in the past and ran out of time/money/energy.  Some chosen through personal recommendation.  And some chosen because we wanted a mix of genres in our choices.

And then there's the Free Fringe.  There's a few quite big names in those line-ups too, the likes of Janey Godley and Pippa Evans for instance, but most are relatively unknown.  Or totally obscure.  And that's where the greatest potential form discoveries lies.

How to choose?  Whim.  Serendipity.  Random factors like an interesting photo or title, or something in the very brief blurb that catches your attention.  It's best to be arbitrary and fortuitous.  Trust in the Fates.  Go for bold.

So today's job is going through the Free Fringe programmes and slotting a few choices into the timetable for the weeks ahead.  And then just waiting to see what we've drawn out of the lucky bag.  By the end of the month I'll have a new favourite performer.  I've just no idea who it'll be yet.

The utopia that leaving the EU offers us....

OUT OF THE MOUTHS OF BABES AND GERMANS

Inevitably, perhaps, the best and most perceptive comment I've heard yet on the idiocy of the Leave vote came from a man with an outsider's sense of perspective.

Comedian Henning Wehn, on being ask what his views were on the UK's current political mess up, said he was all in favour of the UK leaving Europe, indeed looking forward to it.  Because he'd heard that before we joined the Common Market this island was a bona fide paradise where people only needed to work for three days a week and the electricity bills were incredibly low.  And that getting out of the EU would clearly bring those days back again....

I always love a good metaphor.